Dirk Postelmans is the archetype of the modern man, but to be truly happy he wants to die. To do so, he hires a professional life consultant to help him with the process of his own death.

In this documentary, artist-filmmaker Nicholas Hondrogen asks people to describe memorable moments of their lives. Some, such as Norman Lear and Indian activist Russell Means, talk about religion, while composer Philip Glass and film-producer Irwin Winkler discuss the births of their children. Pastor Jess Moody recalls WW II deaths of his friends, and artist Janice Blake remembers being raped.

Trisha Rawlings, a Beverly Hills socialite suffering from loneliness following the separation from her womanizing husband, develops a May–December romance with a young drifter named Strip.

Pocky, an upbeat high-schooler, is told she will die in three days by a psychic whose predictions always come true. Along the way, she talks about boyfriends with her two friends, meets a strange boy with heart disease, and regularly bumps into a serial bomber.

Brutally attacked by three masked men on Halloween night, a homeless girl faces her worst nightmare until time stops and she meets two mysterious superheroes who can't save her, but might help her save herself.

Douglas Baines, a wartime army deserter, is lying low in a shabby flat with his girlfriend Daisy and the couple's small son, Jiffy. Returning home with a toy for Jiffy's second birthday, he learns that Daisy has had the boy adopted. When she refuses to tell him where the boy is, he strangles Daisy and goes on the run.

Middle-age siblings struggle to manage their lives while caring for their recently widowed aging father.

Fearing she may be responsible, a mental patient (Jennifer Jason Leigh) tries to unravel the mystery behind her ex-lover's (Martin Henderson) disappearance.

In 1967 Les Blank and Skip Gerson were hired to work in Thailand on a documentary about the B52 Bomber and its use in bombing campaigns over Vietnam.

Poetic, affectionate, lyrical, and elegy for actor Rudolf Hrusinsky composed of a wordless montage of slowed film footage spanning Hrusinsky’s entire career that embodies the human experience: toil, rest, education, romantic love, rejection, desire, aging, frailty. A recurring interstitial black screen with the words “ten minutes” becomes a constant reinforcement of transience, a career and life distilled to the precious few minutes of the film, a reflection of its brevity.